Part 7 · Art, costume and makeup · Lesson 3 · 7 min read

Props and Continuity — Hand Props, Hero Props and Multiples, Labels, Continuity Photos, Food and Weapons

Keep every object in the same place from cut to cut

Props split into hand props, which actors hold and use, and set props, which sit in the space. An object that matters to the story or gets a close-up is a hero prop, and anything that breaks or wears out needs multiples. Number the props list and put the same label on the box and the object so nothing gets mixed up on set. To hold continuity, photograph position and condition before and after each take, keep food and drink levels matched, and stay on top of hygiene. Weapon props such as replica guns and knives need a designated handler and strict control under local rules.

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Course outlinePart 7 · Lesson 3 · 34/49
Illustration of a props table on set: a crew member photographs two identical tagged mugs and two matching stacks of books on a phone
AI-generated illustration

Hand props and set props

The two kinds of props
AspectHand propsSet props
ExamplesPhone, bag, pen, cup, documentsVase on a table, books on a shelf, wall clock
Who handles themActors hold and use them in the sceneThey sit in the space and fill the frame
What to watchReset condition and position every takeDon’t move them until that direction is done

The action draws the line. A vase on a table becomes a hand prop in that scene the moment an actor picks it up. On some productions set dressing looks after set props and the props team looks after hand props, so agree early on who owns what and nothing falls through the cracks.

Hero props and multiples

  • Hero prop — an object that matters to the story or gets a close-up. It gets the most careful finish and is stored separately between setups.
  • Multiples — prepare several of anything that breaks, gets wet or wears out. If an item needs to be fresh every take, bring more than the takes you expect.
  • Stunt props — for scenes where an object is thrown or dropped, use a separate version made of light, safe material. Shoot close-ups with the hero prop and action with the stunt version.
  • Damage stages — if an object deteriorates over the story, make a version for each stage so you can grab the right one even when scenes are shot out of order.

Props list and labels

For each item, the props list records the number, name, scenes, character who uses it, quantity, how it was sourced (bought, made or rented) and where it is stored. Put the same number on the object and its storage box, and each shoot morning pack an on-set box with only the numbers in that day’s scenes. Write the rental house and return date on the same line for rented items so nothing gets left behind at wrap.

  • Hand out and collect — give hand props just before the take and take them back as soon as you hear cut. Props often vanish in actors’ pockets.
  • On-set kit — pack tools to fix props on the spot: tape, glue, cleaning cloths, spare batteries.

Continuity photos and resets

Prop continuity loop — ① take a reference photo just before the first take, then repeat ② the take and ③ a reset back to the photo for every take. After the last take, ④ log the end of the scene (photos and notes) as the reference for shooting the matching scene weeks later. Below, the things to check: water level, book page, which way it faces, on or off① ReferenceBefore take 1② TakeAction, roll③ ResetMatch the photo④ Scene-end logPhotos + notesLoopAfter the last takeReference for thematching scene laterCheck — water level · book page · facing · on or off
One round of continuity checks — take a reference photo, reset every take, and log the state when the scene ends.
  1. 1Reference photo — position and condition just before the first take.
  2. 2Reset — after each take, put everything back to match the reference photo.
  3. 3Scene-end log — the reference when you shoot the same story moment later.

Films are not shot in script order, so the scene that follows today’s may be shot weeks later. That is why you photograph the water left in a glass, the page a book is open to, even how far a cigarette has burned. Compare your photos with the script supervisor’s notes to confirm continuity holds whichever take is used.

Food, liquids and weapon props

  • Food — prepare enough to replate every take, and ask actors about allergies and foods they can’t eat in advance.
  • Hygiene — wash anything that touches the mouth, and keep perishable food chilled between takes.
  • Liquids — alcohol and coffee are usually replaced with a drink of similar color. Refill to the same level every take.
  • Breakables — anything that needs to look like glass should be a breakaway prop made to shatter safely. Clear the fragments right after the shot.

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