| Script version / date | Which draft this breakdown follows | Copy the version name and date from the script cover. Save a new breakdown with each revision. | Draft 3 · 2026-10-20 |
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| Prepared by / department | Who made the sheet and their department | The person to ask questions. If a department keeps its own copy, write that department. | Jiho Park, 1st AD · Directing |
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| Scene | Script scene number | As numbered in the script, in script order. Mark split scenes 7A / 7B, and keep omitted scenes with “omitted” in notes instead of deleting them. | 7 |
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| I/E | Interior (I) or exterior (E) | Follow the scene heading. For borderline cases such as a car with windows in shot, decide by how it will be shot. | I |
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| D/N | Day (D) or night (N) | Story time. If dawn or dusk matters, add it in notes. | D |
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| Set / location | Story location name | Use the script’s name, spelled the same way every time. Mixing “Cafe” and “Cafe Ondo” splits them apart when scheduling. | Cafe Ondo – Interior |
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| Synopsis | What happens in the scene | One line on who does what. Summarise the action; do not copy dialogue. | Minjun starts sitting in the same seat every day |
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| Pages (1/8) | Scene length in script pages | Count in eighths as a number: 1 3/8 pages is 11. The total divided by 8 gives the page count. | 11 |
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| Cast | Characters who speak or act | Character names separated by commas. Adding call sheet cast numbers makes the day-out-of-days easier. | Sua, Jaehoon, Minjun |
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| Extras | Background people and how many | Role and head count. Anyone with a line moves up to cast. | Customers 6 |
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| Props | Objects handled by cast or clearly seen | Include what the action needs, not only what the script names. Flag breakables and food that need spares. | Minjun’s laptop, americano cup |
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| Set dressing | Furniture, decoration and fixtures | Things nobody handles but that are in shot and must match. | Window table for two locked |
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| Wardrobe | Costume per character and its state | Add the costume number from the costume chart, plus state changes such as wet or torn. | Minjun grey knit (3-1) |
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| Hair & makeup | Hair, makeup and special makeup | Only what differs from normal. Always note continuity items like sweat, wounds or wet hair. | Sua wet hair |
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| Vehicles | Vehicles seen on screen | Picture vehicles only; crew transport does not go here. | Delivery scooter 1 |
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| Animals | Animals and how many | Species and count; note in notes whether a handler must come. | Cat 1 |
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| SFX | Practical effects made on set: rain, smoke, fire, wind | Name the effect. Flag effects that need the safety lead in notes as well. | Rain |
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| Special equipment | Gear beyond the standard package | Cranes, high-speed cameras, underwater housings — anything that affects budget or schedule. | High speed |
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| Notes | Anything the columns above miss | Short notes on time of day, permits or safety that matter for scheduling. | Window seat locked |
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