Production templates · Forms
A floor-plan box for marks and moves, a table of mark positions, cues, business and tape colour, and a log of rehearsal changes.
A rehearsal and blocking sheet records a scene’s blocking on one page. The header holds production, scene, location, shooting day, setup and recorder; a floor-plan box takes fixed features, numbered marks, movement arrows and camera positions. A marks table lists character, position (measured from a fixed point), cue, business and props (which hand) and tape colour, and a rehearsal table logs type (performance, technical, camera), time, what changed, departments told and photo number.
The Excel file includes Example and Guide sheets next to the blank form. How to fill it in
A rehearsal and blocking sheet records where actors enter, stand and move in a scene, as a floor plan and a table of marks. It lets every department rebuild the same blocking for the next setup or when the scene is picked up days later.
The AD team draws it while the director and cast block the scene, fills the table once marks are laid, and logs any changes during rehearsal or setup straight away.
Mark
Position (from a fixed point)
Cue (line / action)
Business / props (hand)
What changed
Departments told
Filled in for the fictional drama “The Temperature Between Us”. All people, companies and numbers are made up; the Excel file has the same example on its Example sheet.
Rehearsal & Blocking Sheet
| Production | The Temperature Between Us |
|---|---|
| Scene | 7 |
| Location / set | Café Ondo (interior) |
| Shooting day / date | Day 3 · 2026-11-13 |
| Setup (camera position) | 7-1 wide · from the door |
| Recorded by | Seoyun Lee (AD dept.) |
| Mark | Character | Position (from a fixed point) | Cue (line / action) | Business / props (hand) | Tape colour |
|---|---|---|---|---|---|
| 1 | Minjun | Inside the door, end of the mat | Door bell | Closes the door, looks round | Blue |
| 2 | Minjun | Front of chair, table 2 · 80cm from the window frame | Sua: “Welcome in” | Puts bag down with left hand, sits | Blue |
| Type | Time | What changed | Departments told | Photo no. |
|---|---|---|---|---|
| Camera | 08:20 | Mark 3 moved 30cm toward the counter — window reflection | Camera · lighting · art | 015 |
Tape comes up during the day and is cleared at wrap. Distances from door frames, walls or furniture let you re-lay marks exactly, even days later.
A rough sketch is enough, as long as mark numbers, order and camera positions match reality.
Upload a script and scenes, sets, cast and props are organized for you. Breakdowns, schedules and call sheets all come from the same data, and every change reaches the whole team as the latest version.
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